IN PERSON* with Edward Einhorn: (winter/spring only)
Whether you write a play or act in one, the building blocks are very similar and both lead to telling a story. In both you have objectives, actions, obstacles, and a sense of what makes an audience lean forward and listen. But as a playwright, your most important tool is words. You build a character with not only what they say and how they say it, but by what they want and what they do to get it. You begin by creating a world in which the characters function. And then you have to think about some important basics: how do you start the scene, how do you keep the dramatic tension going, and how do you arrive at a satisfying ending?
This class is an exploration of playwriting and its basic funamentals. You may write a monologue or a short work, or you may write a longer one. You can hone an existing play or you may choose to start a new one. In the class our work is read aloud as a group, followed by discussion, and inspiring new writing of each other. The class also includes writing exercises and play discussions as well. The core focus of the class is on developing your voice as a writer. Be prepared to give feedback to the other writers; you can learn as much by analysing their work as you do by analysing your own. What makes for a good play? And how can you make your play get better?
With each producing season a selection of these plays are cast with actors from Chelsea Repertory Company & LAB at the Studio and assigned a director, allowing each student playwright to go through the rehearsal process with their script in preparation for private Studio LAB readings and public workshop productions at the Studio. Many plays are selected each year to be produced by Chelsea Rep LAB in their annual e-MERGING ARTISTS: One-Act Play Festival.
Please note: Students should plan on spending three hours outside of class each week for reading and writing class assignments.
*Jeremy Kareken is scheduled to teach in person classes during the Summer and Fall sessions.
ONLINE with *Jeremy Kareken: (all seasons)
Playwriting is a very different craft from writing prose. When writing for actors, one needs to understand the methods actors use to bring a playwright's words to life. In my class the student will learn the subtle techniques characters use to influence each other - and how to make situations exciting and filled with tension. Starting with the short dramatic or comic scene, we will expand towards writing a fuller work - either a one act or a full length. Students will also be given techniques of how to get over "page fright," the fear of getting started. Students will be expected to write every week and bring at least three pages to each three hour class. We will be exploring the tools of theater, including but not limited to: character, theatricality, dialogue, setting, images, actions and obstacles.
With each producing season a selection of these plays are cast with actors from Chelsea Repertory Company & LAB at the Studio and assigned a director, allowing each student playwright to go through the rehearsal process with their script in preparation for private Studio LAB readings and public workshop productions at the Studio. Many plays are selected each year to be produced by Chelsea Rep LAB in their annual e-MERGING ARTISTS: One-Act Play Festival.
Please note: Students should plan on spending three hours outside of class each week for reading and writing class assignments.
*Jeremy Kareken is scheduled to teach in person classes during the Summer and Fall sessions.
Broadway playwright Jeremy Kareken (The Lifespan of a Fact) Chelsea Rep Playwriting LAB held each month.
Student Testimonies:
"Great News! I got an email today from the Riant Theatre, the company that produced my play "Paula's Visitor" and was also read at The Acting Studio a while back. They want my work to be included in their next anthology. I am going to be published and will have a share of the Royalties! Thank you guys for making this work!" - Keith Filangieri (May 2013)
"Good news today. I was accepted to the Woodstock Byrdcliffe Fellowship and Residency (an artist colony for 4 weeks up in Woodstock) to work on writing. The script I had submitted for consideration was MOUNTAIN KING which was developed in Anne's class and then put on last winter's e-Merging Artists Play Festival. Again, many thanks." - Michael Aguirre (May 2014)
"I have fantastic news that I thought you would like to hear. I have been writing screenplays and my screenplay Geneva's Valentine was nominated for Best Feature Comedy at the 2015 Northern Virginia International Film Festival. I also won for Best Feature Screenplay for the same script at the 2015 Beverly Hills International Film festival. Thanks for giving me a wonderful beginning!" -Sheila Robinson (May 2015)
Writers are urged to submit work and/or attend the monthly Chelsea Rep Playwriting LAB.| Session: | Term | Instructor | Day | Hours | Begins | Fee | Status |
|---|---|---|---|---|---|---|---|
| Winter A: 2025 IN-PERSON | 8 wks | Einhorn | Sun | 11:00 am - 2:00 pm | Jan 19, 2025 | $400/ $240* | open |
| Winter B: 2025 ONLINE | 8 wks | Kareken | Sat | 1:00-4:00 pm | Feb 1, 2025 | $400/ $240* | open |
| Spring A: 2025 IN-PERSON | 8 wks | Einhorn | Sun | 11:00 am - 2:00 pm | Apr 6, 2025 | $400/ $240* | open |
| Spring B: 2025 ONLINE | 8 wks | Kareken | Sat | 1:00-4:00 pm | Apr 19, 2025 | $400/ $240* | open |
| Summer A: 2025 IN-PERSON | 8 wks | Kareken | Sun | 1:00-4:00 pm | Jun 29, 2025 | $400/ $240* | open |
| Summer B: 2025 ONLINE | 8 wks | Kareken | Sat | 1:00-4:00 pm | Jul 12, 2025 | $400/ $240* | open |
| Fall A: 2025 IN-PERSON | 8 wks | Kareken | Sun | 1:00-4:00 pm | Oct 5, 2025 | $400/ $240* | open |
| Fall B: 2025 ONLINE | 8 wks | Kareken | Sat | 1:00-4:00 pm | Oct 18, 2025 | $400/ $240* | open |
